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By Mark Tan March 20, 2025
The Wild Robot (2024) A Sight to Behold 
By Mark Tan March 20, 2025
The Wild Robot (2024) A Sight to Behold 
By Xinyi March 17, 2025
THE EMBODIED IMAGE (Part 2) Interview with Zen Teh and SueKi Yee, the artists behind ‘Phenomenology of Light and Rhythms of the Earth
By Xinyi March 17, 2025
THE EMBODIED IMAGE (Part 1) This Singapore Art Week, artists have explored a multitude of interdisciplinary approaches to filmmaking
By Luthf Izz Qaisy March 17, 2025
Film Review #168: DÌDI (弟弟)
By Luthf Izz Qaisy March 3, 2025
Film Review #167: Mother!
By Zheng Hao March 3, 2025
Different Language, Same Tongue: A Conversation with Lim Yen and her film Exits / Entrances (SYFF) 
By Victoria Khine March 3, 2025
Somewhere Beyond the Rainbow: From Southeast Asia to Hollywood—why black and white is the Golden Age
By Xinyi March 3, 2025
Betwixt and Between: Liminality and recurrence in postcolonial Singapore (SYFF)
By Amadeus Yeo March 3, 2025
Finding the Intersection between Queerness and Religion: Unlearning, Relearning (SYFF)
By Rachel Xia February 22, 2025
Worlds Apart , Yet Never Apart —A Review of Worlds Apart (2024) 影片《异国日记》观后感
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