fbpx

Film Review #38: SLAM DUNK

Written by Elisabeth Fong

I have a habit of joining hype trains late – I watched How to Train Your Dragon 10 years after it graced cinemas and raved about it long after people had stopped talking about it. 27 years after ‘Slam Dunk’ finished its manga and anime, I am now a slam dunk fan because of The First Slam Dunk. Believe the hype that this movie is everything – electric, exciting, jaw-droppingly beautiful, and packed full of emotions. For a new fan like me, Takehiko Inoue’s directorial debut The First Slam Dunk was a delicious treat. For long term fans, this will be a whole feast.

Sports anime has a distinct charm of training arcs, underdog narratives and last-minute thrills. We are with the characters when they struggle, get beaten down, and grow into their full potential. Along the way, our characters also build camaraderie with their team, mentor, and we learn to treasure the bonds they forge. Inoue doesn’t just rely on nostalgia to deliver a stirring experience, but imbues the story with a fresh perspective while bringing out all the best elements of a sports anime.

The film follows the ragtag basketball team of Shohoku High School in the high school national championships, a game that many long-term fans know as the epic last game in the manga. Still, Inoue manages to tell the ‘Slam Dunk’ story in a fresh way, delving deeper into a ‘neglected’ character’s story in the manga, point guard Ryoto Miyagi. Labelled as a ‘problem child’, the film spends quite a lot of screen time exploring Ryoto’s relationship with his family and basketball as a looming figure in his life.

On the surface, the Shohoku basketball team is a team that should not win the nationals because of their rookie status and seemingly uncoordinated tactics, even down to their supporters who can’t coordinate a cheer. You can’t help but root for them though, both on and off the court as Inoue seamlessly blends edge-of-your-seat court action and moving backstories. It helped the narrative to have space to breathe and grow, and gave emotional weight behind the court. I wish Inoue could’ve given more screen time to other members’ backstories as well, but I guess it gives me a reason to catch up on the manga and anime.

The First Slam Dunk blends a mix of CGI and hand-drawn animation to create a dynamic and fresh look for the film. While there’s a certain awkwardness in movement that is visible in the trailers, this awkwardness disappears once seen on the big screen. In fact, it actually enhances the gameplay, making the court and all its intensities feel very real.

Inoue also uses the medium to showcase expressive features, represent internal battles in new ways and capture impossible camera angles. Even so, my favourite part was the introduction of the Shohoku High School basketball team. Rough pencil sketches transform into 3D models as the team walks onto the court to catchy, foot-tapping music.

Takehiko Inoue, known as one of the best manga artists for his attention to detail, visual storytelling and expressions, brings all the best parts of his art style and narrative prowess to his directorial debut. The result is one of the most intense sequences during the climax, a culmination of 2 hours of build-up and expectations. The pay-off is worth it. Now excuse me while I go and watch all 101 episodes of the anime.

As of this review being published, The First Slam Dunk is now playing in cinemas.

——————————————————————————-

This review is published as an extension of *SCAPE’s Film Critics Lab: A Writing Mentorship Programme organised by The Filmic Eye with support from the Singapore Film Society.

About the Author: When not reading letterboxd’ reviews or watching fan-made videos, Elisabeth talks about movies and tv shows on her podcast Critical Cliches.

——————————————————————————-

About the Movie:
Directed by: Takehiko Inoue
Cast: Kenta Miyake, Jun Kasama, Shinichiro Kamio, Shugo Nakamura, Subaru Kimura

Year: 2023
Duration: 2h 5min
Language: Japanese (with English subtitles)
Advisory: PG13

Synopsis: Shohoku’s “speedster” and point guard, Ryota Miyagi, follows in the footsteps of his older brother, as he plays with the Shohoku High School basketball team along with Sakuragi, Rukawa, Akagi, and Mitsui. The team challenge the reigning champions at the Inter-High School National Championship.

As of this review being published, The First Slam Dunk is now playing in cinemas.

Similar Articles

Film Journals #1 – My Problem With Long Takes

Read More

Film Journals #2 – When Bad Is Better

Read More

Let’s Get Physical (with safe-distancing measures)

Read More

Film Journals #3 – Hollywood Makes Propaganda

Read More

Film Journals #5 – YouTube: The New French New Wave

Read More

Film Journals #4 – How Shane Dawson Manipulated His Audience? Tiger King, 13 Reasons Why

Read More

Bright, bittersweet love in The Umbrellas of Cherbourg (1964) and La La Land (2016)

Read More

The Lucid Dreamer

Read More

Queer Films Raise more Questions Than They Answer?

Read More

SFS Showcase #1: Children In Society

Read More

Female Rage meets “The Nice Guy”

Read More

An Ode to a Master – #SatyajitRayAt100 (Born 2 May 1921)

Read More

SFS Showcase #2: Politics & Humanity

Read More

Not the Streaming Default: The Disney+ Difficulty

Read More

Singapore in NDP MVs Through The Years, A Panel Summary

Read More

A Programmer’s Love for Film

Read More

Film Review #26: RING WANDERING

Read More

Film Review #24: INFERNAL AFFAIRS

Read More

Film Review #15: HELLRAISER

Read More

Emulsions Between Women and the Sea

Read More

Film Review #23: THE WHALE

Read More

MASTERCLASS SERIES with Mabel Cheung 張婉婷

Read More

Video: Mabel Cheung’s Masterclass | Asian Film Awards Academy

Read More

On the Other Side of the Screen: To Stream or Not To Stream

Read More

Film Review #1: FIRE OF LOVE (2022)

Read More

Film Review #2: PLAN 75 (2022)

Read More

Film Review #3: THE LION CITY (1960)

Read More

Film Review #4: BULLET TRAIN (2022)

Read More

Film Review #5: THIS MUCH I KNOW TO BE TRUE

Read More

Film Review #6: DECISION TO LEAVE

Read More

Film Review #7: NOPE

Read More

Film Review #8: DON’T WORRY DARLING

Read More

Film Review #9: NIGHT OF THE KINGS

Read More

Film Review #10: AKIRA

Read More

Film Review #11: THREE THOUSAND YEARS OF LONGING

Read More

Film Review #12: AJOOMMA

Read More

Film Review #13: SEE HOW THEY RUN

Read More

Film Review #14: PREY

Read More

Film Review #16: BLACK ADAM

Read More

Film Review #17: MOONAGE DAYDREAM

Read More

Film Review #18: EVERYTHING EVERYWHERE ALL AT ONCE

Read More

Film Review #19: 20TH CENTURY GIRL

Read More

Film Review #20: 24

Read More

Film Review #21: TRIANGLE OF SADNESS

Read More

Film Review #25: TROLL

Read More

Film Review #22: WRITING WITH FIRE

Read More

Film Review #27: BURNING DAYS

Read More

Film Review #28: CHILDREN OF THE MIST

Read More

Film Review #29: A LAND IMAGINED

Read More

Film Review #30: MERRY CHRISTMAS, MR. LAWRENCE

Read More

Film Review #31: THE MENU

Read More

Film Review #32: PUSS IN BOOTS: THE LAST WISH

Read More

‘The Little Dragon’ Bruce Lee’s Influence on Martial Arts Films

Read More

Film Review #33: GUILLERMO DEL TORO’S PINOCCHIO

Read More

Film Review #34: RETURN TO SEOUL

Read More

Film Review #35: YOUR NAME

Read More

Film Review #36: THE BANSHEES OF INISHERIN

Read More

Film Review #37: KARAOKE

Read More

SFS Preview Corsage: Behind-The-Scenes Interviews

Read More

The Right to Rest: Jow Zhi Wei’s ‘Tomorrow is a long time’

Read More

Film Review #39: AVATAR: THE WAY OF WATER

Read More

Mind-body Dualism in Film

Read More

Film Review #40: SAVING FACE

Read More

Film Review #41: SHOPPING FOR FANGS

Read More

Berlinale Check-In: “Sun and Concrete” at a Correctional Facility

Read More

Film Review #42: IRMA VEP (1996)

Read More

Film Review #43: WALK WITH ME

Read More

Film Review #44: GLASS ONION: A KNIVES OUT MYSTERY

Read More

Film Review: A NEW OLD PLAY [Screening on 4 & 12 March 2023]

Read More

Film Review #45: CLASS ACTS

Read More

Zen-Mind Filmmaking: Singapore Filmmaker-Educator Introduces A New Experiment and Movement

Read More

An Interview with Maryam Touzani – Director of THE BLUE CAFTAN (SFS Showcase #18)

Read More

What can the MCU learn from the WWE?

Read More

Berlinale Check-In: How a Catfish and a Kid Stand Up to a Dictator

Read More