fbpx

Film Review #39: AVATAR: THE WAY OF WATER

Written by Deepesh Vasudev

Simple Taste, Exceptional Presentation

Avatar: The Way of Water is a straightforward story conveyed with possibly the best visual effects and technical mastery we have yet seen. 

The film is a visual tour de force. The skilled artistry of the visual effects artists is showcased in every shot of the film. With all the CG characters from the previous film looking more real, more animated, and more alive. As the title suggests, the main focus of this film is Water. After the first thirty minutes, the film is set mostly in, on, and around water. With characters running, diving, and swimming in water. The cinematography highlights how detailed the CG water is, and after a while, you truly suspend your disbelief. They have crossed the uncanny valley without reaching the bottom.

Director James Cameron after making me accept his computer-generated world starts messing with me. He has introduced a character that is human and interacts with the inhabitants of Pandora, cutting between him in real water and real sets and to the computer-crafted world, he’s testing us to see if we notice and I can confidently say that I failed. Apart from the masterful work, the worlds themselves are interesting and revealing as the film progresses. The aquatic life of Pandora resembles our own but is still different in interesting ways and becomes an integral part of the story. The connection between the Na’vi and their ecology is explored further, deepening this shared network that was discovered in the first movie. Another point of praise is the final battle sequence. It contained all the hallmarks of great action sequences from Cameron’s past and it is a long sequence that goes by in a blink. The sequence is also elevated with elements from the famous sinking scene in Titanic (1997).

The story is another matter entirely. The story is simple; there isn’t anything unexpected or new bought to the table here. It even feels at some points like a shadow of the first film’s story. The story in the first film had higher stakes and delivered more catharsis than the second outing. The narrative felt more like an episode and a very apparent setup for the upcoming sequels. The characters too, have arcs but are quite simple. One of the central characters disappears during the middle of the film without any explanation as to what they are up to.

Even if the story of Avatar: The Way of Water leaves much to be desired, it is still a must-watch film at the theatres, in 3D and if possible, IMAX 3D. From a person who believes that story is everything in cinema, this is high praise. For those who are hesitant about watching the film in 3D, Cameron has introduced a technical element that has never been seen in cinema before that prevents eye fatigue from watching 3D and further suspends our disbelief of Pandora. I do not want to spoil this but when you see it, you’ll definitely notice it.

I am excited to see what James Cameron has in store for the sequels but what will elevate the longevity of these films in addition to the exceptional presentation is an exceptional story. Only then will people remember these films for a long time to come. However, this outing is still worth the time and money, just close one eye, figuratively of course, to the story.

——————————————————————————-

This review is published as an extension of *SCAPE’s Film Critics Lab: A Writing Mentorship Programme organised by The Filmic Eye, with support from the Singapore Film Society.

About the Author: Deepesh Vasudev is a filmmaker and also majors in Philosophy at NUS. He has created short films, music videos, adverts and visual poems, to name a few.

——————————————————————————-

About the Movie:
Directed by: James Cameron
Cast: Sam Worthington (Jake Sully), Zoë Saldana (Neytiri), Sigourney Weaver (Kiri Sully), Kate Winslet (Ronal), Stephen Lang (Miles Quaritch), Cliff Curtis (Tonowari), Trinity Bliss (Tuktirey)

Year: 2022
Duration: 3h 12mins
Language: English

Synopsis:Jake Sully lives with his newfound family formed on the extrasolar moon Pandora. Once a familiar threat returns to finish what was previously started, Jake must work with Neytiri and the army of the Na’vi race to protect their home.

Catch Avatar: The Way of Water in cinemas now.

Similar Articles

Film Journals #1 – My Problem With Long Takes

Read More

Film Journals #2 – When Bad Is Better

Read More

Let’s Get Physical (with safe-distancing measures)

Read More

Film Journals #3 – Hollywood Makes Propaganda

Read More

Film Journals #5 – YouTube: The New French New Wave

Read More

Film Journals #4 – How Shane Dawson Manipulated His Audience? Tiger King, 13 Reasons Why

Read More

Bright, bittersweet love in The Umbrellas of Cherbourg (1964) and La La Land (2016)

Read More

The Lucid Dreamer

Read More

Queer Films Raise more Questions Than They Answer?

Read More

SFS Showcase #1: Children In Society

Read More

Female Rage meets “The Nice Guy”

Read More

An Ode to a Master – #SatyajitRayAt100 (Born 2 May 1921)

Read More

SFS Showcase #2: Politics & Humanity

Read More

Not the Streaming Default: The Disney+ Difficulty

Read More

Singapore in NDP MVs Through The Years, A Panel Summary

Read More

A Programmer’s Love for Film

Read More

Film Review #26: RING WANDERING

Read More

Film Review #24: INFERNAL AFFAIRS

Read More

Film Review #15: HELLRAISER

Read More

Emulsions Between Women and the Sea

Read More

Film Review #23: THE WHALE

Read More

MASTERCLASS SERIES with Mabel Cheung 張婉婷

Read More

Video: Mabel Cheung’s Masterclass | Asian Film Awards Academy

Read More

On the Other Side of the Screen: To Stream or Not To Stream

Read More

Film Review #1: FIRE OF LOVE (2022)

Read More

Film Review #2: PLAN 75 (2022)

Read More

Film Review #3: THE LION CITY (1960)

Read More

Film Review #4: BULLET TRAIN (2022)

Read More

Film Review #5: THIS MUCH I KNOW TO BE TRUE

Read More

Film Review #6: DECISION TO LEAVE

Read More

Film Review #7: NOPE

Read More

Film Review #8: DON’T WORRY DARLING

Read More

Film Review #9: NIGHT OF THE KINGS

Read More

Film Review #10: AKIRA

Read More

Film Review #11: THREE THOUSAND YEARS OF LONGING

Read More

Film Review #12: AJOOMMA

Read More

Film Review #13: SEE HOW THEY RUN

Read More

Film Review #14: PREY

Read More

Film Review #16: BLACK ADAM

Read More

Film Review #17: MOONAGE DAYDREAM

Read More

Film Review #18: EVERYTHING EVERYWHERE ALL AT ONCE

Read More

Film Review #19: 20TH CENTURY GIRL

Read More

Film Review #20: 24

Read More

Film Review #21: TRIANGLE OF SADNESS

Read More

Film Review #25: TROLL

Read More

Film Review #22: WRITING WITH FIRE

Read More

Film Review #27: BURNING DAYS

Read More

Film Review #28: CHILDREN OF THE MIST

Read More

Film Review #29: A LAND IMAGINED

Read More

Film Review #30: MERRY CHRISTMAS, MR. LAWRENCE

Read More

Film Review #31: THE MENU

Read More

Film Review #32: PUSS IN BOOTS: THE LAST WISH

Read More

‘The Little Dragon’ Bruce Lee’s Influence on Martial Arts Films

Read More

Film Review #33: GUILLERMO DEL TORO’S PINOCCHIO

Read More

Film Review #34: RETURN TO SEOUL

Read More

Film Review #35: YOUR NAME

Read More

Film Review #36: THE BANSHEES OF INISHERIN

Read More

Film Review #37: KARAOKE

Read More

SFS Preview Corsage: Behind-The-Scenes Interviews

Read More

Film Review #38: SLAM DUNK

Read More

The Right to Rest: Jow Zhi Wei’s ‘Tomorrow is a long time’

Read More

Mind-body Dualism in Film

Read More

Film Review #40: SAVING FACE

Read More

Film Review #41: SHOPPING FOR FANGS

Read More

Berlinale Check-In: “Sun and Concrete” at a Correctional Facility

Read More

Film Review #42: IRMA VEP (1996)

Read More

Film Review #43: WALK WITH ME

Read More

Film Review #44: GLASS ONION: A KNIVES OUT MYSTERY

Read More

Film Review: A NEW OLD PLAY [Screening on 4 & 12 March 2023]

Read More

Film Review #45: CLASS ACTS

Read More

Zen-Mind Filmmaking: Singapore Filmmaker-Educator Introduces A New Experiment and Movement

Read More

An Interview with Maryam Touzani – Director of THE BLUE CAFTAN (SFS Showcase #18)

Read More

What can the MCU learn from the WWE?

Read More

Berlinale Check-In: How a Catfish and a Kid Stand Up to a Dictator

Read More